The Many Facets of Freedom - Concepts in Art

The concept of freedom is one openly displayed in both(prenominal) of the famous artworks in history; it also seeps through into the fine famous. This concept, though apparently straightforward, is a broad topic cut across legion(p bolshyicate) views and aspects. IN the chosen artworks, freedom is developed as equality and trust, in an economic hotshot, a governmental sense and a basic human-rights sense. Not all artists take the sovereign get along either - freedom is as personal as it is universal. The artwork, Lenin in Red Dawn by Boris Vladimirski, is a regnant acknowledge on Socialist Russia. Lenin, one of the main figureheads of the communist apparent motion - some even call him the Father of fabianism - is standing(a) before a expiration dawn, as is utter by the works title. Rather than use obvious methods of anti-political art, Vladimirskis oil on unreal work utilises two major techniques to pass on his message. The runner technique used, the foremost of th e two, is that of the red dawn nooky Lenin. As well as being the comment of the commie troupe in socialist Russia, red is also a colour that is deeply interconnected with human moods and symbolism. Red is symbolic of passion, leave and desire, also, too much red can be associated with fretfulness; hence the saying: seeing red.

Thus, the backdrop of red over the foregrounded image of Lenin can take on galore(postnominal) meanings. A passionate man, addressing the proletariat of the time, it may be taken to mean Lenin was a man of fervour for his cause. While the aforementioned(prenominal) is true, the predo minant view taken in this work, however, is ! that of red symbolise power. The second, and little obvious, technique is that of gesture. Lenin himself stands in a powerful pose, the thread brush his clothes back. Standing in opposition... If you want to go well-nigh a full essay, order it on our website: BestEssayCheap.com

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